I have a few big proposals. Below I will try casually to describe them. Of course just enough interests I will answer in more detail. I will be writing the musician which wants from the position to use LS for the stage, rather classical music play. I saw some proposals in the program "hauptwerk" written for organists. Some things which there they did superbly are suitable also for vst other instruments.
1. Additional medium exits. He is a normal type of the exit, that all
played sounds on keys in fact are reconstructed. But also such an exit
which he will cause is needed that even though we will press suddenly.
For example: 6 sounds will only play one - either lowest or highest. To
forbid the midi so that she gives off more than one signal of the time
(bottom or upper). Such kind of other additional medium connections.
The effect is ultimate felling: we can have a few voices "full" e.g.::
the flute, the guitar bass joined one by one and vibraphone as only a
grandiloquent voice. Playing on one keyboard we are accompanying with
the grand piano with the heavy bass and the melody. This way kind of
an organist from the church played it on two manuals and the pedal
having only one manual at his disposal. Probably no program similar to
LS has it. I confused something with the translation - I mean exits of
For example: midi alsa binding port incomplete (e.g. high- melody!)
2. Tune pitch and transpose general for all channels suddenly.
Function not only from the level of the edition of the instrument (it
is already) but fast possibility of amending of the key and adapting
oneself with everyone vst completely orchestras. For example to adapt
oneself to too high inflated all the way to 444. Let us say I have all
samples prepared under 440 - well then to do?
Tune pitching up is far more important than the transposition.
3. Temperament general
This function is connected from previous. He is (this way it seems to
me) built on the identical principle. It is about general dressing up
between sounds. Based on a text file. Not from the level of the editor
of samples. For example: to change all A = -5 cent, B = +24 cent......
F=-13cents. Of course, it is possible already to do it with the help
gigedit, however in the course of the concerto of the sample it is
necessary again to fetch, and this way it would be sufficient to
choose the command "temperament meantone" and in two seconds we have
an anew retuned grand piano. It isn't very important to me, but many
musicians would be glad of this function. Myśle the source code is in
"musescore" - he has this function in the modest scope.
After all I am waiting for the response from you what it will be
possible to do with these matters. If you can and you want to make
something from it I offer my further, very tiny translations of these
problems with money...... (I know). As for the last point I am able to
suggest a few cool temperaments.
4. Keyboard abbreviations.
Currently according to QT4 he will let take a walk with the abbreviation between chanels,
probably we have ctrl+letter - solo and mute. Better, if it is possible with pressing one letter or the digit (independently defined!) to go to specific channel. Also a quick abridgement for turning off or including all instruments. The point is that play can as soon as possible and most comfortably to change the configuration of the instrument.
It at the moment so much from my side, perhaps something from what I wrote won't be understandable.
Almost I cannot in English, I am using the translator online, I don't know of what quality explaining him is, they could mix something. If somebody will understand what I mean, and will see that other can not understand please so that he writes his explaining the case from himself.
I am greeting everyone